“We don’t have time,” said Gladys. “We need to be back at the Lily by four.”
“We’ve got time,” Celia said. “We’ll be quick. We’ll get hot dogs and look at the beach and come straight home. We’ll hire a taxi. We have money now, don’t we?”
—
So we drove out to Coney Island with the windows down, smoking and laughing and gossiping. It was the warmest day of summer so
far. The sky was thrillingly bright. I was wedged in the backseat between Celia and Gladys, while Jennie chatted away with the driver up front—a driver who could not believe his luck at the assemblage of beauty that had just tumbled into his cab.
“What a bunch of figures on you gals!” he said, and Jennie said, “Now, don’t you get fresh, mister,” but I could tell that she liked it.
“Do you ever feel bad about Mrs. Kellogg?” I asked Gladys, feeling a small pang of concern about my deed that day. “I mean, for sleeping with her husband? Should I feel bad about it?”
“Well, you can’t have too much conscience about things!” said Gladys. “Or else you’ll never stop worrying!”
And that, I’m afraid, was the extent of our moral agonies. Subject closed.
“Next time I want it to be with someone else,” I said. “Do you think I could find somebody else?”
“Piece of cake,” said Celia.
Coney Island was all shiny and gaudy and fun. The boardwalk was overrun with loud families, and young couples, and sticky children who acted just as delirious as I felt. We looked at the signs for the freak shows. We ran down to the shore and put our feet in the water. We ate candied apples and lemon ices. We got our picture taken with a strongman. We bought stuffed animals and picture postcards and souvenir cosmetic mirrors. I bought Celia a cute little rattan handbag with seashells sewn on it, and I got sunglasses for the other girls, and I
paid for a taxi ride all the way back to midtown—and there was still nine dollars left of Dr. Kellogg’s money.
“You got enough left over to buy yourself a steak dinner!” said Jennie.
—
We got back to the Lily Playhouse with barely enough time to make the early show. Olive was frantic with concern that the showgirls
would miss the curtain, and she clucked about in circles, scolding everyone for their lack of promptitude. But the girls dove into their dressing rooms and came out only moments later, it seemed, simply secreting sequins and ostrich plumes and glamour.
My Aunt Peg was there, too, of course, and she asked me, somewhat distractedly, if I’d had a fun day.
“I sure did!” I said.
“Good,” she said. “You should have fun, you’re young.”
Celia gave my hand a squeeze just as she was about to go onstage. I grabbed her by the arm and leaned in closer toward her beauty.
“Celia!” I whispered, “I still can’t believe I lost my virginity today!”
“You’ll never miss it,” she said.
And do you know something?
She was absolutely right.
SEVEN
And so it began.
Now that I’d been initiated, I wanted to be around sex constantly—and everything about New York felt like sex to me. I
had a lot of time to make up for, was how I saw it. I’d wasted all those years being bored and boring, and now I refused to be bored or boring ever again, not even for an hour!
And I had so much to learn! I wanted Celia to teach me everything she knew—about men, about sex, about New York, about life—and she happily obliged. From that point forward, I was no longer the handmaiden of Celia (or at least not merely her handmaiden); I was her accomplice. It was no longer Celia coming home drunk in the middle of the night after a wild spree on the town; it was both of us coming home drunk in the middle of the night after a wild spree on the town.
The two of us went digging for trouble with a shovel and a pickax that summer, and we never had the slightest trouble finding it. If you are a pretty young woman looking for trouble in a big city, it’s not difficult to find. But if you are two pretty young women looking for trouble, then trouble will tackle you on every corner—which is just how we wanted it. Celia and I cultivated an almost hysterical commitment to having a good time. Our appetites were gluttonous—not only for boys and men, but also for food, and cocktails, and anarchic dancing, and the kind of live music that makes you want to smoke too many cigarettes and laugh with your head thrown back.
Sometimes the other dancers or showgirls started off the night with us, but they could rarely keep up with me and Celia. If one of us lagged, the other would pick up the pace. Sometimes I got the feeling we were watching each other to see what we would do next, because we usually had no idea what we were going to do next, except that we always wanted another thrill. More than anything, I believe, we were
motivated by our mutual fear of boredom. Every day had a hundred hours in it, and we needed to fill them all, or we would perish of tedium.
Essentially, our chosen line of work that summer was romping and rampaging—and we did it with a tirelessness that staggers my imagination even to this day.
—
When I think about the summer of 1940, Angela, I picture Celia Ray and me as two inky, dark points of lust sailing through the
neon and shadows of New York City, in a nonstop search for action. And when I try to recall it in detail now, it all seems to run into one long, hot, sweaty night.
The moment the show was over, Celia and I would change into the thinnest little stalks of evening gowns, and we would absolutely fling ourselves at the city—running full tilt into the impatient streets, already certain that we were missing something vital and lively: How could they start without us?
We’d always begin our evening at Toots Shor’s, or El Morocco, or the Stork Club—but there was no telling where we would end up by the wee hours. If midtown got too dull and familiar, Celia and I might head up to Harlem on the A train to hear Count Basie play, or to drink at the Red Rooster. Or we could just as easily find ourselves clowning around with a bunch of Yale boys at the Ritz, or dancing with some socialists downtown at Webster Hall. The rule seemed to be: dance until you collapse, and then keep dancing for a little bit longer after that.
We moved with such speed! Sometimes it felt like I was being dragged behind the city itself—sucked into this wild urban river of music and lights and revelry. Other times, it felt like we were the ones dragging the city behind us—because everywhere we went, we were followed. In the course of these heady evenings, we would either meet up with some men whom Celia already knew, or we would pick up some new men along the way. Or both. I would either kiss three handsome men in a row, or the same handsome man three times— sometimes it was hard to keep track.
Never was it difficult to find men.
It helped that Celia Ray could walk into a joint like nobody I’ve ever seen. She would throw her resplendence into a room ahead of her, the way a soldier might toss a grenade into a machine gunner’s nest, and then she’d follow her beauty right on in and assess the carnage. All she had to do was show up, and every bit of sexual energy in the place would magnetize around her. Then she’d stroll around looking bored as can be—sopping up everyone’s boyfriends and husbands in the process—without exerting the slightest bit of effort in her conquests.
Men looked at Celia Ray like she was a box of Cracker Jack and they couldn’t wait to start digging for the toy.
In return, she looked at them like they were the wooden paneling on the wall.
Which only made them crazier for her.
“Show me you can smile, baby,” a brave man once called out to her across the dance floor.
“Show me you got a yacht,” Celia said under her breath, and turned away to be bored in another direction.
Since I was by her side, and since I looked enough like her now (in low light, anyhow—since I was not only the same height and coloring as Celia, but now wore tight dresses like hers, and styled my hair like hers, and modeled my walk after hers, and padded my bosom to slightly resemble hers), it only doubled the effect.
I don’t like to boast, Angela, but we were a pretty unstoppable duo.
Actually, I do like to boast, so let an old woman have her glory: we were stunning. We could give whole tables of men a pretty decent case of whiplash, just by walking past.
“Fetch us a refresher,” Celia would say at the bar, to nobody in particular, and in the next moment, five men would be handing us cocktails—three for her, and two for me. And in the next ten minutes, those drinks would be gone.
Where did we get all that energy from?
Oh, yes, I remember: we got it from youth itself. We were turbines of energy. Mornings were always difficult, of course. The hangovers could be quite unsparingly cruel. But if I needed a nap later in the day, I could always do it in the back of the theater, during a rehearsal or a