Материал: Russian Journal of Building Construction and Architecture

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Issue № 2(34), 2017

ISSN 2542-0526

––Lack of unoccupied space for designing and creating vertical green places.

––Increased production of high buildings lower the view of citizens and the potential of high vertical plates to turn to high green vertical plates and applying their advantage in city and buildings covers.

––Practical advantages in the use of green covers in buildings in comparison with normal, green, vertical surfaces in cities.

––Developing the same green places with greening each building and their visual connection to parks and public green places in the city.

Great value of land and the small space of green parts caused one to use the green roof technology in Iran`s metropolis so that it would improve and stabilize the quality of cities (Nahrly D et al, 2013, pp. 89––98).

The green roves are new approaches in urbanization and architecture with which we can use to improve green parts of the city and beautify the view, improve the quality of ecosystem and have a stable improving city. Practical use of roves enable us to optimize the use of places in the residential area (Tehran city hall, 2010).

Although green roves are a usual and sometimes vital parts of buildings in Europe and in Eastern Asia and North America that emerged as a new increasing element, in many countries like Iran it is an unknown and strange feature (Nahrly D et al, 2013, pp. 89––98).

In fact, green roves are the use of unused and wasted parts of a building for creating green spots. Apart from enhancing the visual image of the city, this will make the air pleasant (microclimate) and reduce the air pollution and finally improve the environment for citizens to live in (Razavian, M, Ghaforypur, A, 2010, p. 137).

Quality in natural contact in traditional Iranian dwelling Traditional dwelling features

Traditional Iranian dwellings are famous as a canvas of architectural painting (Table 1, 2).

Table 1

Framework quality features of historical Iranian dwellings (fayazbakhsh, k, Ghaforypur, A, 2014, civilica)

Quality-framework features of Iranian historical dwellings

Presence of three open places at the same time,

Presence of versatile places of the very private

opening and closing with clear rates

to the very public

 

 

Possible private life in all three ways,

Flexibility of places and not specializing

closed and covered

of places for different purposes

 

 

Inexistency of object dominance

Connection to water and plants

to the house environment

 

 

 

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Russian journal of building construction and architecture

 

 

 

Table 2

 

 

Places in Iranian traditional dwellings (Office research and technical features, 1983)

 

 

 

 

 

 

 

Places in traditional dwelling of Iran

 

 

 

 

 

 

1. Portal

Entrance in Iranian traditional dwelling was of such an importance whose vital part in evolution

 

 

 

and improvement of Iranian architecture can be seen in that. Entrance is not only used as a place

 

 

 

to communicate but it is also used for social and cultural purposes. In order to make a connection

 

 

 

or link to a big square or monument or in order to givie importance to an entrance, they used to

 

 

 

make an apron at the portal in the way that it had the same way to the square or whatever was

 

 

 

important there. Portal looks like an invitation sign to a house. Generally outer walls were made of

 

 

 

thatchbutportalwasluxurious.Thiswastosaythattheinnerplaceissogreatthatitinvitesyouin.

 

 

 

 

 

 

2. Vestibule

The vestibule or porch is a place that was made in many entrances. This was located exactly

 

 

 

after the portal and it worked as a junction to separate the entrance to three or four other

 

 

 

ways. In some general buildings two or three ways were driven out of this places each of

 

 

 

which was leading to a special place like a yard. In buildings of which just one was driven

 

 

 

out vestibule was not functioning as a junction but more of a place for waiting and beautifi-

 

 

 

cation. The vestibule was also used for changing the direction. Vestibules had regular geo-

 

 

 

metric shapes and were mostly short compared to the ceiling. Vestibules of big important

 

 

 

places were high and decorated with tiles, platforms and candle sticks.

 

 

 

 

 

 

3. Corridor

The corridor, which is the simplest part of the entrance that connects two places, is consid-

 

 

 

ered to be its most important use. In some buildings like houses, bathrooms, and in some

 

 

 

cases mosques, schools, the direction of corridor was changed. So that using the corridor which

 

 

 

was indirectly connected to a yard for making it private to those who were inside. The corridor

 

 

 

in terms of spatial framework was narrow. Of course, based on where and why they were used,

 

 

 

the shape was changed. For schools and mosques it was big (almost 2, 3.5 meters) and it was 1

 

 

 

meter for small houses. The length of corridors was so different and it ranged from 2 to 10

 

 

 

meters ads in some cases even longer. The corridor as an architectural place is known as a

 

 

 

place to move along in a spatial and conceptual manner. The corridor and yards made the

 

 

 

communicating arteries of the house. General frameworks of the corridors are narrow or wide.

 

 

 

Corridors with narrow width generally connected the vestibule to the yard, corridors with an

 

 

 

average width were between small, i.e. two or three door rooms and wide corridors were adja-

 

 

 

cent to a very important room. Generally above these corridors the remaining rooms were built

 

 

 

(GOSHVAR). Other places like bathroom, kitchen, toilet, were in private places.

 

 

 

 

 

 

4. Yard private

The yard in an Iranian dwelling is used in different ways.It matchesplaces in ahouse, connectorof

 

 

(orangery) pub-

placestocreateagreenplace,asanartificialventilatorforwinds, an importantelementfor ordering

 

 

lic inner (outer)

different places, as a secure and calm place for family`s happiness and is shaped based on financial

 

 

out of the inner

andspiritualpurposes.Differentpartsthatshouldbeprivateorpublicaretakeninto account.

 

 

space of a

The orangery is a very small yard which can be covered to avoid chilblain in citrus. In the center

 

 

house

of thisyard thereisapoolshaped likeasquare,octagon,rectangleand thisissurrounded bysome

 

 

 

small gardens. The outer space is a small yard shaped like rectangle or a square where there is an

 

 

 

octagon, circle, or a star-shaped pool? This is to welcome strange guests and people.The inner

 

 

 

space is a big yard that is as big as it can match the numbers of rooms in the house. It is some-

 

 

 

times like a big garden just for family members and is really private.

 

 

 

 

 

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End of Table 2

 

 

 

Places in traditional dwelling of Iran

 

 

 

 

 

 

5. Rooms

They are made in a different way in Iranian houses and each of them have their special fea-

 

 

 

tures. One of the Iranian favorite method of making rooms was to have a visual contact in

 

 

 

every room and to the yard. Wide, free and unobscured vision was of the feature of Iranians.

 

 

 

These rooms were designed based on the golden rate. Rooms that got the light from latitude

 

 

 

were of great beauty and got half of the golden rate. Based on organizing all the places and

 

 

 

dividing them into those to be used in summer and winter using rooms, different rooms are

 

 

 

formed, giving connection to rooms for getting the wind made it for summer rooms to be

 

 

 

higher floors and winter rooms to be at the ground or basement. Winter rooms are small with

 

 

 

not many doors and being almost in the basement made it possible for these rooms to get

 

 

 

heat easily. On the other hand summer rooms are those that have many big opening doors on

 

 

 

most sides. In many houses these works are windward. In some of them, the number of

 

 

 

opening in four fronts are almost sixteen. An important feature of doors is that some are

 

 

 

double glazed, generally the one at the out is shuttered and just with an opening the inside

 

 

 

one you can have a pleasant wind and a nice view without getting annoying sunshine.

 

 

 

 

 

 

6. Hall

Telvarorkerbal in Persian means “a very big building” and it is a root of the wordTalar

 

 

 

which is “hall” in English. This is in both, summer and winter rooms. In front of these halls

 

 

 

there are some columns regarding their physical things. Next to these halls were big corri-

 

 

 

dors named capital (Takhtgah) at the end of which there were stairs that ended upstairs or

 

 

 

downstairs. There was a room above it. The rooms that face the hall are called earrings. The

 

 

 

ceiling of these were double glazed and in some parts big 3 part doors were used. The other

 

 

 

parts of Iranian traditional housing were bedrooms, public rooms, upper room, tehrani, ear-

 

 

 

rings, farvar, tanbi, tachar, matbakh, hozkhane, basement, depot, abrizgah and korsykhane.

 

 

 

 

 

 

7. Balcony

It is a place smaller that the hall that is usually located in front of a room. It has a ceiling and

 

 

 

the frontal area opens without doors or windows. Shah neshin is a part of a room that is built

 

 

 

like a balcony but does not have a door to the yard and is a little above that room surface.

 

 

 

Generally the room that shah neshin on it has 5 doors. This is a place for important guests

 

 

 

and its entrance is one of the corridors or one of the rooms next to it.

 

 

 

 

 

 

8. Upper room

Is built above the hall, a cozy comfortable place with a small height and three doors. It was

 

 

 

used for sleeping, work and spending a nice afternoon.

 

 

 

 

 

 

9. Windward

Is built next to a hall to send the wind which blows here to the hall.

 

 

 

 

 

Yard, the heart of Iranian traditional dwelling

Traditional houses are organized vertically and horizontally. A horizontal surface is based on reach ability order from out (a very public place) makes the layout of light and dark to the center of the yard, vertical surface is based on how water movements. Portal, vestibule and corridors and yards are the order of places that considering the privacy of the inner yard, makes access to the inside part of the house possible. The surrounding layers of the yard are in the order of rooms that have a direct access to light, water, plant, air and completely into

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Russian journal of building construction and architecture

the inner garden. Three-door, five-door, hall and windward, orsy, upper rooms (gushvar) and takhtgah are located around the yard. In the second layer because of being away from the yard, they had to use the upper sunlight from the ceiling. Places like kitchen, depot, vestibule, pasto are in this group.

Traditional architecture is looking for natural resources to use. It is seeking to find a place to get everything natural to use without disturbing the life of others or showing off what he has. To answer this question one can say the private garden makes it come true: a yard or in other words the inner garden. Water, plants, sun and wind are all used for the purpose and will make a place for all beautiful views. In this garden a new climate will be created that would make a condition for the whole organized technology and its concept will be forever stable and will not change over time.

The yard is the focal point of Iranian buildings where color, light and fresh air is flowing. A place which has framed the sky and has a close connection with it so that every closed environment will be around it to see the most alive thing in front of their eyes. A valuable place where plants and water in that received their beloved position and play the eyes with the greatest fresh music.

The Iranian yard is a concept that implies that the heart of Iranian architecture is empty. Emptiness is a sign of God and his existence. So that emptiness in art is a symbol of purity, God is a truth that surrounds everything and all things are in his control (Ghorbanzadeh, M, & Nezami, A, 2012, pp. 12––15).

Solitude is the basic of Iranian architecture, the essence of Iranian buildings is a yard and everything around it is for explaining the parts of the yard. In such a place where a pool is built in the centre a movement will commence moving around a pool in an empty place where it invites you to think and meditate more, a place where people should completely forget about themselves. The yard and a pit in the garden in the Iranian desert architecture is a sign of emptiness (Saghapor, H, & Mosavi, M, 2011).

Iranian traditional yard, stability of home

The stability of the architecture based on what is understood everywhere in the world in our traditional architecture has a special place. Of an individual spatial material to the most important part of what makes it, which means yard. Organizing places in Iranian architecture are based on the yard and result in two kind of pattern, which are extraverted and introverted. The yard pattern is a proper answer to the financial and spiritual condi-

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Issue № 2(34), 2017

ISSN 2542-0526

tions of living. This structure, in the matter of shape, geometry, stability, will be affected by where it is built and it will make the least damage to environment, though make the most usability for those who are living in it. Looking at the nature in the house that is due to presence of the yard which makes a sort of green architecture and recyclable and local materials that are used (e.g., using leaves, fresh fruit, and trees that were in the house) one can say that all these things can be the reason for the stability in the yard (Mahsayi, P, & Rezapour, M, 2009, civilica).

Changes in Iranian housing pattern

Iranian housing in history has received many changes because of some requirements (Tables 3 and 4).

 

Table 3

Changing in Iranian housing pattern in relation with the requirements (writer)

 

 

Changing in Iranian housing pattern in relation with the requirements

 

 

Extraverted and introverted forms

Spatial organs and operation of house parts

 

 

Way of living

Way of construction

 

 

House communications

The number of citizens and way of communication

 

 

Facing the climate

Communicating to nature

 

 

Personality

Designing style

 

 

 

Table 4

Most important reasons for changes in modern houses in comparison with historical ones (writer)

 

 

Most important reasons for changes in modern houses in comparison with historical ones

 

 

Need for vehicles and transport

Need for quietness and more loneliness

 

 

Need for more houses

Changes in leisure, games and activities

 

 

Objects are important parts of recent houses

Heat comfort with cooling and warming equipment

 

 

Materialism

Hygiene

 

 

Comparing Tehran’s traditional houses with recent ones

Tehran`s traditional houses, which were a symbol of architecture in this metropolis city, the rule of nature, privacy, identity, geometry and paying attention to meeting spiritual and financial needs are considered. With visual comparison of this architecture with the recent condition of house building in Tehran what is so clear is chaotic, lack designing skyline in urban vision and neglecting human spiritual and financial needs (Table 5).

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